I don’t know how to speak of God. I realized this as I was trying to introduce one of my favorite poems to my Twitter followers.
My first Twitter draft said, “I no longer believe in God, but I still think John Donne’s Holy Sonnet XIV is one of the most beautiful poems ever written in the English language.”
Then I paused and considered the words “no longer believe.” The phrase seemed to suggest a non-existent relationship with [a possibly non-existent] God when I’m not sure that I believe one way or the other in my very adult-like attempt to avoid the lingering extremism of my religious beliefs from just a few years ago.
So I changed the sentence to read, “I no longer like God, but I still think John Donne’s Holy Sonnet XIV is one of the most beautiful poems ever written in the English language.” The verb like being a safer word choice minus the whole eternal damnation for not being fond of the Deity business.
I censored myself once again. Not because of any kind of fear of hell, since, in my early years as a Christian theologian, I had established that the doctrine of universal salvation first introduced by Karl Barth was consistent with Scripture, but precisely because I no longer have any strong feelings about God one way or the other. Fundamentalist Christianity can suck it. Most other forms of Christianity are either inconsistent or simply immoral, but I don’t have a problem with the idea of God per se.
The Sterling Memorial Library at Yale is one of my favorite buildings to show people when they visit me in New Haven. The library is built to look like a church. In the front is the altar to the Goddess of Knowledge and instead of saints being immortalized in the stained-glass windows, Sterling captures the various stages of the library’s development, starting from the very first book donation.
Perhaps I worship at the altar of knowledge and I am no less self-indulgent, moralizing, and stubborn than the Christians of whom I am so critical. My point being, regardless of what anybody thinks of God, knowledge, Twitter, or unicorns with super powers, John Donne’s Holy Sonnet XIV is one of the most beautiful poems ever written in the English language.
Batter my heart, three-personed God, for you
As yet but knock, breathe, shine, and seek to mend;
That I may rise, and stand, o’erthrow me, and bend
Your force to break, blow, burn, and make me new.
I, like an usurped town, to another due,
Labour to admit you, but Oh, to no end.
Reason, your viceroy in me, me should defend,
But is captived, and proves weak or untrue.
Yet dearly I love you, and would be loved fain,
But am betrothed unto your enemy:
Divorce me, untie or break that knot again,
Take me to you, imprison me, for I,
Except you enthrall me, never shall be free,
Nor ever chaste, except you ravish me.